Identity
Commissioned by DAEJU COLLECTIVE
다양한 형태의 영문 알파벳이 뭉친 로고타입으로, 업계를 폭넓게 수용하는 대주 콜렉티브의 아이덴티티를 부각시켰다. 마찬가지로 직선과 곡선, 원형과 사각형, 삼각형 등 다양한 조형 요소가 합쳐진 말풍선 같은 그래픽을 심볼로 삼았다.
2024
Poster, Offset Print, 600×900mm
Commissioned by Graphic/Propaganda, JEONJU International Film Festival, Dokho Shin
Movie Director: Jihong Kim
100 FILMS 100 POSTERS, JEONJU International Film Festival, Jeonju, 2024.
The movie We Used to Dance is about a couple. Reflecting on that, the stage was divided in half; above, designed by Gukhan Kim in Seoul, and below, designed by Dokyun Moon in Toronto. Gukhan focused on the gestures of the dance, while Dokyun concentrated on the visual patterns that repeatedly appear in the film. The memories of the two individuals about memory are so different.
2024
Book, Offset Print, 135×205mm, 312 pages
Commissioned by Hyunsilmunhwa, Yeonsuk Lee(Rita)
ISBN 9-788965-642992 03800
12,000₩
2024
Poster, Digital Print, 420×594mm
Commissioned by Dan Kim
Identity
Commissioned by PURPLE BUBBLE
Business Card, Offset Print, 84×45mm
Commissioned by Minki Hong
This business card features a modified format based on the 4K DCI standard digital IMAX ratio. On the front, we incorporated an image that resembles a droplet of semen, followed by epoxy coating and additional processing in that specific area. On the back, we printed an image that gives the impression of semen seeping into the paper.
2024
Poster, Digital Print, 420×594mm
Commissioned by Hyeonjo
2024
Stuff, Foil stamping, 50×90mm
Non-commissioned work
2024
Leaflet, Digital Print, 210×297mm
Commissioned by Gyeongmok Seok
Related works
➔ No Signal, Poster, 2024
➔ No Signal, Moving Poster, 2024
➔ No Signal, Leaflet, 2024
2024
Moving Poster, 420×594mm
Commissioned by Gyeongmok Seok
Related works
➔ No Signal, Poster, 2024
➔ No Signal, Leaflet, 2024